A film’s look is very important in setting the period, social class structure, and unique visual characteristics of each character. I have asked Louise to talk about the wardrobe, and Andrea and Sonya about hair and make up. Here’s their experience working on It’s Me, Matthew!

The Lens, The Look- On A ShoeString!

As an associate producer on “It’s Me, Matthew!”, and one who believed in Michael’s vision, I was ready to step into what ever role was needed to support the team, to help make this project come to fruition!

Michael needed a wardrobe stylist to create the right look for the different periods we were trying to capture. Unfortunately there was not that much money in the budget for this department. So together we took on this task. I researched on the internet and went to thrift stores for period pieces. Together we collaborated on colors, styles ext. so the actors would each stand out and didn’t blend into the furniture. Now, I have a better appreciation of the work stylists do and I enjoyed doing it!

Louise Devery

It was a pleasure working for Michael on his film! I am a Makeup Artist/Actress and friend thru the acting
community. We have worked together at the Upright Citizens Brigade and I knew Michael was a person that
I wanted to get to know as soon as we met. His energy and laughter are infectious!!!

When he asked me to help out with makeup on his shoot I of course, said yes! The production was on time and the actors were so down to earth. I was very impressed with his organization. I know how tirelessly
he has worked to make this happen and how appreciative he was for all of the help he received to get this in
the can!!

All the Best!!

Andrea Kooharian

Working on “It’s Me, Matthew!” was a great experience, especially since Michael is a dear friend of mine, and someone whom I’ve known for the past six years. He first told me about the project a year ago and I whole heartedly supported his ambition. As a hairstylist/make-up artist, I gave him a new look for his role, and I helped him with the drag make-up in the backstage scene. He wanted Christina Aguilera from Moulin Rouge/ a Vegas look as his inspiration. So, I did some research and was like, wow, she had a ton of rhinestones on her face! Ok, so we skipped the rhinestones, but did a campier, glam look. The trick was to make it a progression, as he was applying his make-up in the scene. I did one eye, and he did the other. And he had to apply lipstick for at least 5 takes. My concern was how he was going to get all of it washed off before shooting the next scene. It’s hard to cover stubble. Working the wig with the sunglasses was a bit tricky, but I think we pulled it off.

I don’t usually work with drag make-up, as most of experience comes from working with women, and especially brides. So, this was a challenge, but a real fun one! Michael gave me some pointers about doing drag make-up, so together we created his look.I enjoy working collaboratively, and most of all working on a project with so much meaning.

I am truly honored to be part of this production and stand behind Michael and his work. I know he is a talented artist, and I am so proud of his commitment and vision.

Thanks,

Sonya